BIO
Lily Jaskowski (b. New York, 2004) is a fiber artist who spans her practice between Chicago and New York. Jaskowski began making fiber handwork in elementary school and now uses a range of techniques such as weaving, hand work, and stitching. She focuses on handmade items that draw inspiration on the aesthetic textile nature around her, with an interest in natural fibers. Jaskowski has exhibited in group shows as well as releasing small apparel collections online. She is on the path to complete her BFA with a focus in Fiber and Material Studies from the School of the Art Institute of Chicago in 2027.
Artist Statement
Creating artifacts of time, intention and care is central to my identity as an artist and craftmaker. Growing up with the intimate language of handcraft and culinary arts, my work explores how love manifests in everyday rituals and shared experiences. At home, where cooking was a daily expression of care, I witnessed how the simple act of preparing food could weave together family narratives and create lasting connections. This foundation now drives my multidisciplinary practice, in which I continue to observe the profound similarities between sharing homemade food and textile art.
My work deliberately engages with natural materials and processes, creating functional pieces that explore the aesthetic and tactile quality of the natural world, honoring both their earthly origins and eventual return to nature as they degrade. Drawing inspiration from the subtle textures and organic patterns found in gardens and familiar landscapes, I translate these elements into fiber works, and woven textiles. Intentional choice of materials – hemp, nettle, cotton, wool yarns, and natural dyes – reflects a commitment to creating pieces that exist in harmony with the environment while serving as vessels for human connection.
My woven handbag Feather Reed mimics the intricate patterns of basket-making grasses. I want to elevate overlooked moments of natural beauty to subjects worthy of careful observation, intense hand labor, and aesthetic refinement. Blooming, a bassinet of handwoven reed imitates a budding flower, lined with a soft pelt, plays with the symmetry of a blossoming plant and newborn life. This piece is a gift to my family, intended to cradle the next generations, and be passed down as an heirloom. My crochet headwear collection Little Miss Ruffle Bonnet, celebrates the handmade as each piece varies in size and color. Rather than pursuing mechanical perfection, my practice embraces the distinctive characteristics of handmade objects. My work rejects mass production in favor of creating intimate, one-of-a-kind pieces to be enjoyed by and comfort users through generations, carrying the visible mark of their maker.
CONTACT
